Opera gets to the core of Steve Jobs’ character

John Moore in Steve Jobs opera
Apple co-founder Steve Jobs (played by John Moore) raises a smartphone in a scene from “The (R)evolution of Steve Jobs.” (Seattle Opera Photo / Philip Newton)

You shouldn’t expect to glean startup tips from “The (R)evolution of Steve Jobs,” the one-act opera staged by the Seattle Opera this week and next. And don’t expect to hear the brand names “Apple” or “iPhone” or even “Microsoft” sung. But you can expect to see and hear the tangled tale of Apple’s enigmatic co-founder, told on a literally operatic scale.

There’s also a message for techies that can be boiled down to the first words flashing on the supertitle screen, even before the first note sounds: “Look up. Look around. Be here now. And turn off your devices.”

Devices like Apple’s iPhone figure heavily in the staging of “(R)evolution”: Even the set elements that swirl around the stage and serve to project backdrops are proportioned like giant iPhones. The first big aria in the work, with music by Mason Bates and libretto by Mark Campbell, celebrates the iPhone’s introduction in 2007: “Only one device / Does it all / In one hand / All you need.”

But devices are never all you need, even when you’re an introspective, obsessive genius like Jobs.

Get the full story on GeekWire.

By Alan Boyle

Mastermind of Cosmic Log, contributor to GeekWire and Universe Today, author of "The Case for Pluto: How a Little Planet Made a Big Difference," past president of the Council for the Advancement of Science Writing.

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