You shouldn’t expect to glean startup tips from “The (R)evolution of Steve Jobs,” the one-act opera staged by the Seattle Opera this week and next. And don’t expect to hear the brand names “Apple” or “iPhone” or even “Microsoft” sung. But you can expect to see and hear the tangled tale of Apple’s enigmatic co-founder, told on a literally operatic scale.
There’s also a message for techies that can be boiled down to the first words flashing on the supertitle screen, even before the first note sounds: “Look up. Look around. Be here now. And turn off your devices.”
Devices like Apple’s iPhone figure heavily in the staging of “(R)evolution”: Even the set elements that swirl around the stage and serve to project backdrops are proportioned like giant iPhones. The first big aria in the work, with music by Mason Bates and libretto by Mark Campbell, celebrates the iPhone’s introduction in 2007: “Only one device / Does it all / In one hand / All you need.”
But devices are never all you need, even when you’re an introspective, obsessive genius like Jobs.