How do you capture the mood of the 1960s space race in a fictional universe where the Soviets beat the Americans to the moon?
The American side of the story was told in “For All Mankind,” an Apple TV series that concluded its fifth season in May. Now a spinoff series called “Star City,” which tells the Soviet side of the story, is set to wrap up its critically acclaimed first season.
Reimagining the Soviet space effort — and the Star City cosmonaut training center that served (and still serves) as its epicenter — was a challenge worthy of the Chief Designer himself. But cinematographer Brendan Uegama and the rest of the production team were up to it.
“We set up a really high bar for our standard of what our world was,” Uegama says in the latest episode of the Fiction Science podcast.
“That was not a perfectly beautiful world of photography like you would typically see or experience in a lot of movies,” he says. “We didn’t go to the beauty just for the sake of making a pretty picture. We stuck with our gut and said, no, it’s better if it’s a little uglier, because it feels a little more truthful to what this would be.”
