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How the ‘Dune’ sci-fi saga parallels the science of dunes

The deserts of Abu Dhabi and Jordan play starring roles in the blockbuster sci-fi movie “Dune,” which premieres this week in theaters and on HBO Max — but the origins of the classic tale go back to a different set of dunes on the Oregon coast.

“Dune” creator Frank Herbert spent much of his life in the Pacific Northwest, from his childhood days in Tacoma to his stint as the Seattle Post-Intelligencer’s education editor. (When I worked at the P-I back in the 1980s, some of my fellow copy editors could still reminisce about Herbert’s habits.)

In 1957, Herbert spent some time researching what he hoped would be a magazine article about a U.S. Department of Agriculture project to stabilize the shifting sand dunes near Florence, Ore., by planting invasive beachgrass. The article was never finished, but according to “Dreamer of Dune,” a biography written by Herbert’s son Brian, the idea of transforming the dunes made a huge impression.

“Dad realized he had something bigger in front of him than a magazine article,” Brian Herbert wrote. “He sat back at his desk and remembered flying over the Oregon dunes in a Cessna. Sand. A desert world. He envisioned the earth without the technology to stop encroaching sand dunes, and extrapolated that idea until an entire planet had become a desert.”

From that initial thread of an idea, the elder Herbert wove six novels, published between 1965 and 1985. Since then, Brian Herbert and  longtime sci-fi collaborator Kevin J. Anderson have written more than a dozen of their own “Dune” sequels and prequels. (The latest was published just last month.)

The newly released movie covers just the first half of the original “Dune” novel. But in subsequent books, Herbert traced how fictional scientists tried to green up the desert planet of Arrakis — and how that brought about unanticipated, even problematic consequences.

Strangely enough, that part of the story parallels what’s now happening amid Oregon’s dunes. It’s a case of life imitating art … imitating life.

“It feels very extreme and sci-fi when you see it in a movie or in a book, but it’s also just like real U.S. government land management,” said Rebecca Mostow, a graduate research assistant at Oregon State University.

By Alan Boyle

Mastermind of Cosmic Log, contributor to GeekWire and Universe Today, author of "The Case for Pluto: How a Little Planet Made a Big Difference," past president of the Council for the Advancement of Science Writing.

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