You could cite plenty of reasons: They’re matter-gobbling monsters, making them the perfect plot device for a Disney movie. They warp spacetime, demonstrating the weirdest implications of general relativity. They’re so massive that inside a boundary known as the event horizon, nothing — not even light — can escape its gravitational grip.
But perhaps the most intriguing feature of black holes is their sheer mystery. Because of the rules of relativity, no one can report what happens inside the boundaries of a black hole.
“We could experience all the crazy stuff that’s going on inside a black hole, but we’d never be able to tell anybody,” radio astronomer Heino Falcke told me. “We want to know what’s going on there, but we can’t.”
So what might happen if space travelers go on a decades-long odyssey to a far-off, habitable star system — a mission so long that the children who begin the trip have little hope of seeing its end?
That’s the premise of “Voyagers,” a movie written and directed by Neil Burger. And it shouldn’t be any surprise that sex and violence are part of the formula, as they were during the simulated space trip in 1999.
In the latest episode of the Fiction Science podcast, production designer Scott Chambliss discusses how the stripped-down, closed-in environment he created for the movie’s multi-generational spaceship sets the scene for a space-based retelling of “Lord of the Flies.”
One set of symptoms is the global prevalence of pollutants, including a class of synthetic chemicals called PFAS. Nearly every American has been exposed to PFAS, which is used in nonstick cookware as well as water-repellant and stain-resistant products. An infamous case of PFAS water contamination and its health effects in West Virginia became the focus of a story that Rich wrote for The New York Times, and that story inspired a 2019 movie titled “Dark Waters.”
“It’s not that intervention in the natural world is new,” Rich said. “We’ve been doing that from the get-go. What’s new is that we are, I think, finally coming to terms as a society and individually with the incredible depth and scope of the intervention, to the point that … there’s really nothing natural that can be found in the natural world, by any conventional definition of the term.”
“There are definitely days where I came out of the writing, and looked around and realized that I was back in the real world — and was occasionally sad about it, because there are really useful things in ‘Machinehood’ that I wish we had today,” Divya says in the latest episode of our Fiction Science podcast.
Time-honored tales of lost cities emphasize the quest for glittering treasures, priceless relics or mysterious civilizations — but more recent expeditions are going after a different sort of prize: a greater understanding of how and why cultures create large-group living spaces, and what factors eventually cause them to move on.
The findings — gleaned from archaeological digs including Cambodia’s ancient stone city of Angkor and a faded metropolis of mounds on the Mississippi River known as Cahokia — can help future architects and planners build the cities of tomorrow more sustainably.
At least that’s what Annalee Newitz hopes.
“My hope is that we’re going to be building more like the people at Cahokia and Angkor in a more sustainable way, and that our houses will be … made of things that are biodegradable, or that are even living materials,” said Newitz (who uses they/them pronouns).
Newitz recounts a personal quest to learn about Cahokia and Angkor, as well as the ancient cities of Çatalhöyük in Turkey and Pompeii in Italy, in a new book titled “Four Lost Cities” — and in the latest episode of the Fiction Science podcast, which focuses on the intersection of science and fiction.
There’s something deeply attractive about the idea of places that were ahead of their time, but were somehow lost to history. Such tales are as old as the biblical city of Sodom and as fresh as Wakanda of “Black Panther” comic-book fame. It’s even better if the lost city ends up being submerged, like Plato’s Atlantis or Egypt’s Alexandria.
But Newitz says the “lost city” concept usually doesn’t hold water.
“I don’t like to use the term ‘fallen’ or ‘collapsed’ for these cities, because their cultures didn’t collapse,” they said. “The cities themselves were abandoned by people who basically, in a lot of cases, just got sick of how the cities were being run, with the exception of Pompeii.”
Pompeii was buried under more than a dozen feet of volcanic ash from Mount Vesuvius in the year 79, but even there, most of the eruption’s survivors carried their culture to other Roman cities nearby. Something similar happened to Çatalhöyük, which was abandoned more than 7,500 years ago but spawned other settlements in Neolithic Turkey.
Cahokia and Angkor, which had their heyday from roughly 800 to 1400, traced more complex evolutionary arcs: They’re both thought to have been hit by a combination of political and climate-related crises — but went through periods of revival before fading away.
Newitz noted that natural disasters typically aren’t enough by themselves to bring a city down. “You really can’t take a city out with the natural disaster unless the government is also unstable,” they said. “It was the one-two punch of not having good political leadership … and having some kind of environmental problem, whether that was within the city because of the infrastructure or because of some kind of weather problem or climate problem.”
For that reason, Newitz is of the view that the coronavirus pandemic alone won’t be enough to spark the abandonment of cities — even though some downtown cores may look like ghost towns today.
Newitz is less confident about the long-term outlook, especially for urban areas threatened by wildfires or rising sea levels.
“This is a tough time for us to be thinking about this, because I think many places in the world, including the U.S., are having big questions about our government and our governance,” they said. “And we’re also having climate disasters and a pandemic. So this is a good time to be thinking about how we want to re-imagine our governments, to help us be resilient against these kinds of disasters, because they’re going to keep happening.”
After working on “Four Lost Cities” for years, Newitz wonders how tomorrow’s archaeologists will look at the peculiarities of today’s urban culture — ranging from the quirks of San Francisco’s architecture, to the stratigraphic layer of plastic left behind by the Anthropocene Age, to the revelations contained in Newitz’s own garbage.
Newitz is also working what’s been learned from the lost-cities research into their next science-fiction novel — following up on “Autonomous” and “The Future of Another Timeline.” Intelligent animals will provide an extra twist of genetic engineering to the plot.
“You’ve got to have uplifted animals if you’re going to have a really good city,” Newitz said. “It’s kind of an imaginary way of depicting getting consent from the environment to build something.”
Could cities ever go totally extinct? Newitz doubts that could ever happen. There’s something innately human about living in groups — something that goes beyond economic or environmental factors. Adapting urban culture to become truly sustainable may be one of the biggest challenges for the next century, or the next millennium.
“How do you bring nature into the city, but also how do you continue to have the cool stuff that cities have, like high-speed internet and parties and concerts and restaurants? That’s what we love about cities. People come to cities to party and to meet other people,” Newitz said.
The prime directive to party is pretty much a scientific fact.
“Every time I would talk to an archaeologist about their city, I would be like, ‘Well, why did people come here?'” Newitz said. “In my head, I kept thinking, ‘Oh, they came here for economic reasons.'”
The archaeologists were quick to set Newitz straight. “Every single archaeologist would be like, ‘Well, they came because of pageantry,'” Newitz said. “Like they don’t want to say ‘party,’ right? Because that’ll sound too low-brow. ‘There were some incredible pageants.’ And I was like, ‘So, yeah, people came to have fun.’ … We’re never going to lose that desire to have good food and crazy entertainment.”
Cosmic Log Used Book Club
So what’s Newitz doing for fun during this shut-in pandemic? Podcasts are a prime pursuit: Newitz’s list includes “Short Wave”, a daily science podcast from NPR, and a quirky show called “Who? Weekly.”
“If you’re not able to soak up all the celebrity news that you want, it’s two hosts who will deconstruct silly celebrity news,” they said.
Newitz’s science-fiction reading list includes lots of tales of the city.
“When I was a teenager, one of the books that got me into science fiction was ‘Lord Valentine’s Castle’ by Robert Silverberg, which is basically just city porn,” Newitz joked. “Half the book is like, we reach this place that’s a giant mountain that has 12 giant cities on it, and then we spend half the book going up the mountain and going through the cities. I don’t remember the plot, but I remember the cities.”
The sheer quirkiness of Newitz’s recommendation, and the fact that Valentine’s Day is just around the corner, should be enough to qualify “Lord Valentine’s Castle” as this month’s selection for the Cosmic Log Used Book Club. Since 2002, the CLUB Club has featured books with cosmic themes that have been around long enough to be available at your local library or used-book store. For more recommendations, check out the CLUB Club reading list — and go have some fun.
Mann has chronicled the conflicts over climate science in a series of books published over the course of the past decade. But in “The New Climate War,” he argues that the terms of engagement have shifted.
Amid waves of wildfires and extreme weather, it’s getting harder to deny that Earth’s climate is becoming more challenging. Instead, the focus of the debate is shifting to whether the climate challenge can be met — and if so, how best to meet it.
One of Gates’ big energy technology ventures is Bellevue, Wash.-based TerraPower, which is working on small-scale nuclear power plants. But Mann doesn’t think nuclear power will play a significant role going forward — due to high costs as well as broader concerns. “It comes with obvious potential liabilities, whether it’s proliferation issues, weapons issues or environmental threats,” he said.
Mann thinks even less of Gates’ support for solar geoengineering strategies. “That’s going down a very dangerous road,” Mann told me. “When we start interfering with this system [that] we don’t understand perfectly, the law of unintended consequences reigns supreme.”
As for Bezos, Mann said he’s already had some conversations with the Amazon CEO’s team about climate initiatives such as the $10 billion Earth Fund.
“It’s a start,” Mann said. “Would I like to see him spend less on some of these wackier [ideas like] establishing space colonies, and more on saving the one planet in the universe that we know does support life? Yeah.” (For what it’s worth, Bezos argues that his space vision is aimed at moving energy-intensive, pollution-producing heavy industries off the planet and thereby preserving Earth for residential and light industrial use.)
Although he begs to differ on the details, Mann is nevertheless grateful that Gates and Bezos are on the right side in the new climate war. “I’ll gently criticize these folks where I feel it’s appropriate, but I do welcome these voices at the table, because we need everyone on board,” he said. “It’s all hands on deck.”
Denialism and doomism
In his book, Mann argues that the “inactivists” who resist efforts to address the climate challenge have turned to a subtler form of denialism, as well as a phenomenon that Mann calls “doomism.”
Mann argues that the climate-denial crowd has picked up the game plan that’s been followed by the gun lobby, Big Tobacco and the bottling and packaging industry.
“There are things that we can do in our everyday lives that decrease our environmental footprint — and they make us healthier, they save us money and they make us feel better,” Mann acknowledged. “What we can’t allow is for the forces of inaction, the ‘inactivists,’ to convince us that that’s the entire solution.”
Others insist it’s already too late to avoid the climate catastrophe, and say the best we can do is to brace ourselves for the hellscape to come.
“If we really were doomed, if the science said that, then we’d have to be upfront about that,” Mann said. “But the science says the opposite. The science says there’s still time to avert catastrophic warming.”
Mann said the current political climate (so to speak) is favorable for making progress, thanks in part to a youth movement led by the likes of Swedish teen Greta Thunberg.
The next phase of the war
“The New Climate War” had to be turned in for publication months before November’s presidential election, but Mann said the results bore out his assumption that Joe Biden would win out. The results in the Senate — a 50-50 tie with Vice President-elect Kamala Harris serving as the tie-breaker — couldn’t be any closer.
Because of that narrow mandate, “we probably can’t expect to see something like a Green New Deal,” at least for the next two years or so, Mann said. But he doesn’t rule out moving ahead with the first stages of a carbon-pricing system similar to the tax scheme that Canada currently has in place.
Climate campaigners in Washington state tried twice to set up a carbon-pricing systems, in 2016 and 2018, but both initiatives failed at the polls. Mann noted that fossil-fuel interests weren’t the only opponents.
“Ironically, some of the opposition in recent years to market mechanisms has actually come from the environmental left — because it’s been framed as inconsistent with social justice, that the cost will somehow fall on disadvantaged front-line communities, those with the least resources,” he said. “That definitely does not have to be the case.”
Mann said the key is to tweak market-based pricing systems so that the revenue goes to support the communities that need help, and support the spread of renewable energy technologies.
How would Mann spend the revenue? I put an extra spin on that question by asking him what he’d invest in if he were given a few million dollars to start up a climate-related venture. His answer was true to form.
“I would put it into science communication, focusing on what I see as the remaining obstacles when it comes to scientists informing the public discourse, because we do play a role,” Mann replied.
“We shouldn’t necessarily be dictating what the policies should be. There’s a worthy political debate to be had about that,” he said. “But we need to define the scientific ground rules to find what the objective evidence has to say about the risks that we face, so that we have an honest political debate about solutions.”
Cosmic Log Used Book Club
So what does Mann read for a change of pace? His latest literary diversion actually isn’t that much of a diversion: It’s “The Ministry for the Future,” a climate-themed sci-fi novel by Kim Stanley Robinson. Mann says Robinson’s book is “a good companion from the fictional side to the nonfiction of ‘The New Climate War.'”
Robinson was the focus of a previous Fiction Science podcast co-hosted by science-fiction author Dominica Phetteplace and myself. If you’re at all interested in future perils and possibilities relating to the climate crisis, you owe it to yourself to check out the interview.
“He really inspired me as a youth, inspired my fascination with science, and continues today to inspire me,” Mann said. “And I’ve had the wonderful benefit of getting to know his daughter, Sasha Sagan, who has entered into this science communication sphere. You can hear some of Carl’s voice in her. It’s a gift.”
This is just the latest Sagan family selection for the CLUB Club: Carl Sagan’s “Contact” made the list in July 2003, and Nick Sagan joined his father as a CLUB Club laureate with “Idlewild” in August 2004.
This year, gift giving isn’t the only reason for the season’s reading recommendations: With the coronavirus pandemic still raging, it’s useful to have a good book by your side as you weather the winter in relative isolation. It’s still possible to get a healthy dose of science fact (or fiction) while we’re waiting for the vaccine (and for science writer David Quammen’s future book about the pandemic).
I’ve put together a list of 10 recently published books that should be well-suited for these unprecedented pandemic holidays. Some provide diversion. Others offer food for thought (for example, what happens once the pandemic ends?). Still others suggest experiments you can do with your kids in the kitchen, or curiosities to look for as you take holiday strolls with your pandemic podmates. All of them are worth considering for your gift list — or your own winter reading list.
What rights does a robot have? If our machines become intelligent in the science-fiction way, that’s likely to become a complicated question — and the humans who nurture those robots just might take their side.
Ted Chiang, a science-fiction author of growing renown with long-lasting connections to Seattle’s tech community, doesn’t back away from such questions. They spark the thought experiments that generate award-winning novellas like “The Lifecycle of Software Objects,” and inspire Hollywood movies like “Arrival.”
Can science fiction have an impact in the real world, even at times when the world seems as if it’s in the midst of a slow-moving disaster movie? Absolutely, Chiang says.
“Art is one way to make sense of a world which, on its own, does not make sense,” he says in the latest episode of our Fiction Science podcast, which focuses on the intersection between science and fiction. “Art can impose a kind of order onto things. … It doesn’t offer a cure-all, because I don’t think there’s going to be any easy cure-all, but I think art helps us get by in these stressful times.”
COVID-19 provides one illustration. Chiang would argue that our response to the coronavirus pandemic has been problematic in part because it doesn’t match what we’ve seen in sci-fi movies.
“The greatest conflict that we see generated is from people who don’t believe in it vs. everyone else,” he said. “That might be the product of the fact that it is not as severe. If it looked like various movie pandemics, it’d probably be hard for anyone to deny that it was happening.”
This pandemic may well spark a new kind of sci-fi theme.
“It’s worth thinking about, that traditional depictions of pandemics don’t spend much time on people coming together and trying to support each other,” Chiang said. “That is not typically a theme in stories about disaster or enormous crisis. I guess the narrative is usually, ‘It’s the end of civilization.’ And people have not turned on each other in that way.”
Artificial intelligence is another field where science fiction often gives people the wrong idea. “When we talk about AI in science fiction, we’re talking about something very different than what we mean when we say AI in the context of current technology,” Chiang said.
In Chiang’s view, most depictions of sci-fi AI fall short even by science-fiction standards.
“A lot of stories imagine something which is a product like a robot that comes in a box, and you flip it on, and suddenly you have a butler — a perfectly competent and loyal and obedient butler,” he noted. “That, I think jumps over all these steps, because butlers don’t just happen.”
In “The Lifecycle of Software Objects,” Chiang imagines a world in which it takes just as long to raise a robot as it does to raise a child. That thought experiment sparks all kinds of interesting all-too-human questions: What if the people who raise such robots want them to be something more than butlers? Would they stand by and let their sci-fi robot progeny be treated like slaves, even like sex slaves?
“Maybe they want that robot, or conscious software, to have some kind of autonomy,” Chiang said. “To have a good life.”
Chiang’s latest collection of short stories, “Exhalation,” extends those kinds of thought experiments to science-fiction standbys ranging from free will to the search for extraterrestrial intelligence.
Both those subjects come into play in what’s certainly Chiang’s best-known novella, “Story of Your Life,” which was first published in 1998 and adapted to produce the screenplay for “Arrival” in 2016. Like so many of Chiang’s other stories, “Story of Your Life” takes an oft-used science-fiction trope — in this case, first contact with intelligent aliens — and adds an unexpected but insightful and heart-rending twist.
Chiang said that the success of the novella and the movie hasn’t led to particularly dramatic changes in the story of his own life, but that it has broadened the audience for the kinds of stories he tells.
“My work has been read by people who would not describe themselves as science-fiction readers, by people who don’t usually read a lot of science fiction, and that’s been amazing. That’s been really gratifying,” he said. “It’s not something that I ever really expected.”
During our podcast chat, Chiang indulged in yet another thought experiment: Could AI replace science-fiction writers?
Chiang’s answer? It depends.
“If we could get software-generated novels that were coherent, but not necessarily particularly good, I think there would be a market for them,” he said.
But Chiang doesn’t think that would doom human authors.
“For an AI to generate a novel that you think of as really good, that you feel like, ‘Oh, wow, this novel was both gripping and caused me to think about my life in a new way’ — that, I think, is going to be very, very hard,” he said.
Ted Chiang only makes it look easy.
Cosmic Log Used Book Club
So what’s Chiang reading? It’s definitely not an AI-generated novel.
“I recently enjoyed the novel “The Devourers” by Indra Das,” Chiang said. “It’s a novel about — you might call them werewolves, or maybe just ‘shape-shifter’ would be a more accurate term. But it’s about shape-shifters or werewolves in pre-colonial India, in medieval India. It’s a setting that I haven’t seen a lot of in fiction, and really, it’s an interesting take on the werewolf or shape-shifter mythos.”
Based on that recommendation, we’re designating “The Devourers” as November’s selection for the Cosmic Log Used Book Club. Since 2002, the CLUB Club has recognized books with cosmic themes that could well be available at your local library or used-book store.
“I had been very skeptical about the idea of a TV series that was going to be a sequel to ‘Watchmen,’ ” Chiang said. “When I first heard about it, I thought, ‘That sounds like a bad idea.’ But I heard good things about it, and I gave it a try, and it surprised me with how interesting it was. For people who haven’t seen that, I definitely recommend checking it out.”
Nearly a century after the discovery of King Tut’s tomb focused the world’s attention on Egypt’s Valley of the Kings, archaeologists are turning the spotlight to Saqqara, a site that’s separated by hundreds of miles and centuries of time.
This weekend, antiquities officials formally unveiled 59 decorated coffins, or sarcophagi, with untouched mummies inside them. Mostafa Waziri, the general director of Egypt’s Supreme Council of Antiquities, told NBC News that the find reminded him of King Tutankhamun’s tomb — which was found almost intact in 1922.
Saqqara is best known as the site of the Step Pyramid of Djoser, which was built around 2650 B.C.E. and is considered the oldest surviving pyramid in Egypt. The newly unveiled sarcophagi, however, come from a much later time, around 600 B.C.E.
To put the timing in context, the Pyramids of Giza were built about a century after the Pyramid of Djoser, in the 2560 B.C.E time frame. King Tutankhamun reigned from 1332 to 1323 B.C.E., and Saqqara’s coffins were buried more than seven centuries after Tut.
The wooden sarcophagi were found stacked in three burial shafts that go about 40 feet deep. They’re colorfully painted, and scores of statuettes and other artifacts were buried along with the mummies. One 14-inch-tall statuette, inlaid with red agate, turquoise and lapis lazuli, represents the Egyptian god Nefertam and is said to be inscribed with the name of its owner, a priest called Badi Amun.
تمثال للإله نفرتم أحد القطع الأثرية التي اكتشفت مع التوابيت الخشبية بسقارة والتي سيتم الإعلان عنها يوم السبت. انتظرونا
A statue of the God Nefertem, one of artifacts discovered with the sealed wooden coffins in Saqqara. Stay tuned pic.twitter.com/SL97bpxAGO
Two of the sarcophagi were opened during Saturday’s unveiling in Saqqara. “We found that the two mummies bear the name and the title of the family,” Khaled El-Anany, Egypt’s minister of tourism and antiquities, told reporters.
And there’s likely to be more mummies to come. El-Anany said dozens more sarcophagi could be unearthed at the site. “This is not the end of the discovery — this is only the beginning,” he said.
Saqqara, which is about 20 miles south of modern-day Cairo, could well become a high-profile stop for Egyptology enthusiasts. This April, Egyptian authorities completed a 14-year-long renovation project at the Pyramid of Djoser in Saqqara and reopened it to the public — unfortunately, in the midst of the coronavirus pandemic.
Egyptian officials see archaeo-tourism as a key contributor to the country’s economic recovery in the post-pandemic era. For evidence, you need look no further than the fact that the antiquities ministry has added “tourism” to its official title.
I’ve been an Egyptology fan for decades, and seeing the “Treasures of Tutankhamun” exhibit in Seattle still ranks among my top museum experiences more than 40 years after the fact. The mysteries of Tut’s tomb continue to stir the soul nearly a century after its discovery. But there’s much more to ancient Egyptian history than Tut and Cleopatra.
“The Rise and Fall of Ancient Egypt,” by renowned Egyptologist Toby Wilkinson, is a must-read when it comes to the history of the world’s first nation-state. Wilkinson goes all the way back to before the beginning, stressing how the Nile gave rise to civilization and sustained it over the course of millennia.
Wilkinson’s account of the twists and turns of pharaonic rule — including the creation of a ruling elite, the exercise of absolute authority and the role of religion — could well get you thinking about the lessons for our own age. And if you ever get to Egypt to see the ancient sites and Cairo’s new Grand Egyptian Museum, this book could serve as a guide to the meaning behind the monuments.
For all these reasons, I’m making “The Rise and Fall of Ancient Egypt” October’s selection for the Cosmic Log Used Book Club. Over the course of the past 18 years, the CLUB Club has recognized books with cosmic themes that have been out long enough to become available at your library or secondhand book store.
Past selections have included other tales of bygone civilizations, ranging from “Everyday Life in New Testament Times” to “The Year 1000” to “1491.” But the CLUB Club also highlights tales of sci-fi civilizations, including Frances Hardinge’s “Deeplight” (for September) and Isaac Asimov’s Foundation series (for August).
Check out the backlist, and if you have recommendations for future CLUB Club selections, pass them along in your comments.
Such stories helped ancient peoples get a grip on the workings of the natural world — and set the celestial stage for millennia of scientific advances. But ironically, those advances may be leading to the extinction of the stories, as well as the fading of the night sky.
As a species, Homo sapiens is exceptionally skilled at recognizing, replicating and creating patterns out of raw data. In her book, Marchant traces how ancient cultures connected the star patterns they saw in the sky with the natural cycles they had to deal with on Earth, and how those connections evolved in the ages that followed.
Our proclivity for finding patterns can sometimes get us into trouble, as illustrated by the attraction to the Face on Mars — or, more recently, QAnon conspiracy theories. But in the main, it’s a good thing: An argument could be made that the scientific method boils down to the ability to identify patterns that knit together data, and verify that those patterns apply to subsequent occurrences.
“I’m interested in how we built the scientific view, but I’m also interested in what have we lost,” Marchant said. “Does it matter that we no longer see the stars? We know from light pollution that most people in Europe and the U.S. can no longer see the Milky Way, for example. With artificial lighting and heating, and air travel, and our computers and phones, we’re living in a way that’s more disconnected from the cycles of the sun and moon than ever before.”
An overreliance on our devices, and on perspectives that are divorced from the natural world, could leave us unaware about emerging risks from climate change and viral spillovers. It could also rob us of the emotional response that pushed our ancestors toward discoveries: a sense of awe about the vastness and complexity of the cosmos.
“One of the most common ways that scientists use to trigger awe in studies is to show people pictures or videos of the starry sky, and they’re finding that when people feel awe, it makes them more curious, more creative, less stressed, happier, even weeks later,” Marchant said.
Exercising your sense of awe can also have a beneficial social effect. “People make more ethical decisions,” Marchant said. “They’re more likely to make sacrifices to help others. They care less about money. They care more about the planet. They feel more connected to other people and the Earth as a whole.”
Can we heal our social and political divisions and unite to solve environmental challenges just by looking at pictures from the Hubble Space Telescope? If only it were that easy. Marchant said we’re sorely lacking in the kinds of stories that knit together the human and the natural world.
“Now we have this view of a physical universe out there — the scientific universe, if you like, made of particles and forces, and we’re separate observers of that,” she said.
Even those sagas are more about all-too-human affairs rather than our connections with the heavens. The long-ago, faraway galaxy of Star Wars, for example, primarily serves as a new stage for war-movie drama, just as Lucian’s 1,850-year-old sci-fi novel served to satirize his own society.
When I asked what kind of sci-fi came closest to capturing the cosmic connection Marchant was looking for, she pointed to “Avatar,” James Cameron’s 2009 movie about the clash between naturalistic aliens and machinery-mad humans. (Due to coronavirus-related delays, the sequels are now scheduled for release between 2022 and 2028.)
“I think it makes a difference, having people up in space rather than just machines,” Marchant said. “It’s kind of going back to that ancient view of the heavens, of seeing these characters and people in the stars, in the skies. … There’s also that perspective of looking back down on Earth, which has been so influential — that view of Earth from space.”
Astronauts have long talked about the Overview Effect, a deep sense of oneness with the Earth that arises when seeing its full disk from space, paired with a heightened desire to protect the planet from harm.
Could a widening of the Overview Effect restore humanity’s cosmic balance? If so, it’d be a sky story worth retelling for ages to come.
Cosmic Log Used Book Club
After our podcast Q&A, I asked Marchant if she had any recommendations for science fiction worth reading or watching. On the streaming-video front, she talked up “Devs,” an FX/Hulu series that capitalizes on the many-worlds interpretation of quantum physics.
“What would the consequences of that be if you could have a computer that could literally predict everything that you were going to do in the future?” she asked. “How would that affect our sense of who we are, and our responsibilities?”
On the book front, Marchant recommended Frances Hardinge’s “Deeplight,” a Lovecraftian fantasy tale that’s set in an underwater realm. “It’s a great adventure story, but also she’s looking into themes of power and the divine, and what happens when the gods are taken away,” she said.
Marchant said her favorite part of “Deeplight” was Hardinge’s disclaimer: “The laws of physics were harmed during the making of this book. In fact, I tortured them into horrific new shapes whilst cackling.”
Based on Marchant’s recommendation, I’m designating “Deeplight” as this month’s selection for the Cosmic Log Used Book Club, which spotlights books with cosmic themes that have been around long enough to pop up at used-book stores or your local library. For a list of previous CLUB Club selections going back to 2002, check out last month’s lineup.