Tag: Fiction Science

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Fiction Science Club

How ‘Star City’ reimagined the Soviet space effort

Female cosmonaut on moon in scene from "Star City"
A female cosmonaut (played by Alice Englert) speaks via video after landing on the moon in "Star City." (Credit: Apple TV)

How do you capture the mood of the 1960s space race in a fictional universe where the Soviets beat the Americans to the moon?

The American side of the story was told in “For All Mankind,” an Apple TV series that concluded its fifth season in May. Now a spinoff series called “Star City,” which tells the Soviet side of the story, is set to wrap up its critically acclaimed first season.

Reimagining the Soviet space effort — and the Star City cosmonaut training center that served (and still serves) as its epicenter — was a challenge worthy of the Chief Designer himself. But cinematographer Brendan Uegama and the rest of the production team were up to it.

“We set up a really high bar for our standard of what our world was,” Uegama says in the latest episode of the Fiction Science podcast.

“That was not a perfectly beautiful world of photography like you would typically see or experience in a lot of movies,” he says. “We didn’t go to the beauty just for the sake of making a pretty picture. We stuck with our gut and said, no, it’s better if it’s a little uglier, because it feels a little more truthful to what this would be.”

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Fiction Science Club

Science and fiction have their say on UFO ‘Disclosure Day’

Emily Blunt and other actors in a scene from "Disclosure Day"
A TV meteorologist and experiencer (played by Emily Blunt) wields an alien artifact in "Disclosure Day." (Credit: © Universal Studios)

“Disclosure Day” is nigh!

We’re not talking about end times for UFO believers, but about this week’s debut of Steven Spielberg’s latest movie about space aliens.

“Disclosure Day” is something of a second coming for the classic alien sci-fi movie — or perhaps a third coming, given that Spielberg is already famous for “Close Encounters of the Third Kind” (1977) and “E.T. the Extra-Terrestrial” (1982).

The second-coming analogy is apt for another reason: The movie’s title plays off the expectation that the world’s governments will disclose all their secrets about alien contact, but only when they determine that their citizens are ready to hear them. “UFO believers await the day of disclosure with the same burning eagerness as a religious believer expecting the Messiah,” Adam Kirsch, a senior editor at The Atlantic, writes in a forthcoming book titled “We Want to Believe.”

Kirsch says such believers might greet Spielberg’s movie as evidence that Disclosure Day is truly nigh. “For people who are very deeply committed to this idea of disclosure, they will take it as confirmation that disclosure is something that is really going to happen,” he says.

Even Meg Charlton, the author of a newly published alien-abduction novel titled “Voyagers,” felt a sense of anticipation as she was writing the manuscript. “I did spend a lot of the book nervous that I would be scooped by first contact somehow, or full disclosure,” she recalls.

In a double-stuffed episode of the Fiction Science podcast, Kirsch and Charlton explore what science and fiction reveal about our obsession with alien visitors.

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Fiction Science Club

A late author’s last novel bridges far-flung ancient realms

Three Minoan women in a fresco from the Palace of Knossos
This reconstructed image of a fresco from the Palace of Knossos on the island of Crete shows three Minoan women with their hair in ponytails. “The Curve of the World” throws a spotlight on Minoan seafarers. (Credit: Carole Raddato, CC BY-SA 4.0, via Wikimedia Commons)

Long before Homer wrote the Odyssey, Minoan seafarers were plying the trade routes of the Mediterranean and spinning stories of adventure — but when it comes to imagination on an outlandish scale, the late science-fiction author Vonda N. McIntyre’s tale about a transoceanic Minoan odyssey just might have awed even Homer.

McIntyre finished the manuscript for her final book, “The Curve of the World,” less than two weeks before she died of pancreatic cancer in 2019. Since then, a team of writers and editors assembled by Clarion West — the Seattle-based literary nonprofit that McIntyre founded in 1971 — has been working to get the novel in shape for publication.

That work is now complete. The book has made its debut, and Clarion West is celebrating with a virtual book launch party on May 16. Update: You can replay the launch party on YouTube.

Nisi Shawl, an award-winning science-fiction and fantasy writer, admits to “fan-girling” during the editing process. “The sheer joy of the prose, the sensual array of delights that are offered, every bit of the way, the writing is just so pleasurable,” Shawl says in the latest episode of the Fiction Science podcast.

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Occupy Mars? Or the moon? It’s time for a reality check

Illustrations: Moon Village and Mars habitat
Artist's concepts show a moon village at left and a Mars habitat at right. (Left image: ESA. Right image: Team SEArch+/Apis Cor via NASA)

It’s an age-old debate in space circles: Should humanity’s first city on another world be built on the moon, or on Mars?

As recently as last year, SpaceX founder Elon Musk saw missions to the moon as a “distraction.” In a post to his X social-media platform, he declared that “we’re going straight to Mars.”

But last week, Musk said he’s changed his mind: “For those unaware, SpaceX has already shifted focus to building a self-growing city on the Moon, as we can potentially achieve that in less than 10 years, whereas Mars would take 20+ years,” he wrote on X.

How realistic is either option, particularly on a 10- to 20-year time frame? In a new book titled “Becoming Martian,” Rice University evolutionary biologist Scott Solomon lays out the possibilities as well as the perils that could make Musk’s job more challenging than he thinks.

“The more research I did on this topic, and the more labs I visited, and papers I read, and experts I spoke with, what became clear to me is that we have some pretty big gaps in our knowledge, in our understanding of what the reality would be like,” Solomon says in the latest episode of the Fiction Science podcast.

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Why NASA is going nuclear for a power play on the moon

Illustration: Nuclear power plant with a tower-type radiator
An artist's conception shows a nuclear power plant on the moon. (Lockheed Martin Illustration)

Almost 60 years after America won the first space race, the moon is once again the focus of a competition between superpowers: Who’ll be the first to put a nuclear-powered base on the lunar surface?

And just as President John F. Kennedy set a goal of landing astronauts on the moon and bringing them back safely “before the decade is out,” NASA and the Department of Energy have set another end-of-decade deadline for developing a nuclear reactor for use on the moon. The current plan calls for demonstrating a 40-kilowatt power plant by 2030.

Why 2030? Roger Myers, an aerospace consultant who has been in the business of developing in-space power and propulsion systems for decades at NASA and Aerojet Rocketdyne, says the timing is tied to China’s ambition to set up its own moon base by 2035.

“China has announced many times in the last few years that they plan to land their astronauts, their taikonauts, on the surface of the moon by 2030, and they want to have a sustained presence on the surface of the moon by 2035,” he says in the latest episode of the Fiction Science podcast. “The United States has a decision to make: Do we want every human on the planet to look up every night and see just a Chinese flag? Or do we want them to see a Chinese and an American flag?”

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Fiction Science Club

A fictional Grand Tour portrays Pluto as it really is

New Horizons view of Sputnik Planitia
NASA's New Horizons probe sent back a view of a Texas-sized ice sheet known as Sputnik Planitia. (Credit: NASA GSFC / SwRI / JHUAPL)

NASA’s New Horizons mission to Pluto has forced astronomers to rewrite their textbooks — but that’s not all: New Horizons also forced Les Johnson to rewrite a novel.

The space scientist was tasked with taking notes that the famed science-fiction writer and editor Ben Bova left behind when he died in 2020, and turning them into a novel set on Pluto to close out Bova’s Grand Tour series of solar system tales.

In the material that Bova had written for “Pluto,” he described a rocky world with just a little bit of ice on it. But when Johnson sent those notes to planetary scientist Alan Stern, the New Horizons mission’s principal investigator, had to set him straight.

“His first comment back to me was, ‘We never found anything on Pluto that was anything like that,'” Johnson says in the latest episode of the Fiction Science podcast. “And so I realized at that point that I was going to have to go back and revise the science behind the story of the environment on Pluto.”

The result is one of the first works of fiction that provides detailed descriptions of Pluto’s true surroundings, right down to the orange-tinged ice sheet of Sputnik Planitia and the dark and dirty spot on Charon, Pluto’s largest moon.

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Fiction Science Club

Native American legends get woven into an alien tale

Petroglyphs showing a spiral and a horned figure carved into sandstone
Pictures carved into Utah sandstone call to mind the "Sky People" of ancient legends. (Courtesy of the Utah Geological Survey / Mark Milligan)

Centuries before the Roswell UFO Incident, Native Americans had their own stories to tell about alien visitations — for example, about the “Sky People” who traveled from the Pleiades star cluster to Earth and have a special bond with the Cherokee Nation.

In a newly published novel titled “Hole in the Sky,” Cherokee science-fiction author Daniel H. Wilson blends those stories with up-to-date speculation about UFOs, now also known as unidentified anomalous phenomena or UAPs, to deliver a fresh take on the classic tale of first contact with an alien civilization.

Wilson says the typical alien-invasion tale tends to parallel the real-life story of European settlement in the Americas.

“I love robot uprisings and alien invasions, and the more I thought about it, you realize that in an alien invasion, the aliens show up, and they usually want to extract our resources, take our land, our water, destroy our culture, enslave us,” he says in the latest episode of the Fiction Science podcast. “That’s kind of a really thinly veiled fear projection that what colonizers have done to Indigenous people will be done to our society. And so I started from there.”

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Fiction Science Club

How billionaires boost America in space race with China

Blended image of Elon Musk celebrating after launch of NASA astronauts, and Jeff Bezos celebrating after first crewed New Shepard launch
Elon Musk and Jeff Bezos have both celebrated space victories. (Left: GeekWire Photo / Kevin Lisota, 2020. Right: Blue Origin Photo, 2021)

Jeff Bezos’ Blue Origin space venture has only just begun to launch a heavy-lift rocket that was a decade in the making — its orbital-class New Glenn launch vehicle, which had its first flight in January. But it’s already planning something even bigger to rival Starship, the super-rocket built by Elon Musk’s SpaceX.

Bezos simply isn’t ready to share those plans yet.

Actually, a super-heavy-lift rocket concept known as New Armstrong (named in honor of first moonwalker Neil Armstrong) has been talked about for almost as long as New Glenn (whose name pays tribute to John Glenn, the first American in orbit). Bezos mentioned the idea way back in 2016, but said at the time that it was “a story for the future.”

Details about New Armstrong are still a story for the future, according to an account in “Rocket Dreams,” a book about the billionaire space race written by Washington Post staff writer Christian Davenport.

“They’ve been very quiet about it,” Davenport says in the latest episode of the Fiction Science podcast. “I asked Jeff specifically about that at the New Glenn launch, and he didn’t want to talk about it.”

In the book, he quotes Bezos as saying only that “we are working on a vehicle that will come after New Glenn and lift more mass.”

New Armstrong is one of the few mysteries that Davenport wasn’t able to crack in his account of the space rivalry between Bezos and Musk. Davenport first addressed that rivalry seven years ago in a book titled “Space Barons,” but this updated saga is set in the context of an even bigger rivalry between America and China. Both nations are aiming to send astronauts to the moon by 2030, if not before.

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Fiction Science Club

Climate-fiction thriller explores Florida’s flooded future

Detail from "Salvagia" book cover
The cover art for "Salvagia" features a semi-sentient boat and "atmo-breaker" rockets. (Artwork: Steve Thomas for Diversion Books)

How will technology — and society — adapt to the dramatic effects that climate change is expected to bring? Will necessity become the mother of invention in a world of rising seas? Will it be business as usual? Or will it be a little bit of both those scenarios?

A new sci-fi novel called “Salvagia” takes the third way: There are high-tech salvagers who make ends meet by dredging up artifacts from the flooded ruins of Miami. There are high-flying daredevils who race rockets through minefields of space junk.  And there are also greedy folks who dream of using massive machines to build high-rises on South Florida’s new coast.

Guess which ones are the bad guys.

The book’s author, Tim Chawaga, says he wanted to blend the glittery tech of our modern world with the gritty drama of a Florida noir crime novel. “I wanted it to be like street-level conversations about how individual people can use technology in more powerful ways,” he says in the latest episode of the Fiction Science podcast.

“It’s characters who are outsiders, outside of institutions, trying to build something else. … It’s not likely that they will achieve that in a meaningful and significant way. Maybe at best, incremental. And that feels very noirish to me,” he says.

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Fiction Science Club

Fiction outweighs fact in ‘Jurassic World’ dinosaur tale

Scarlett Johansson with film clapperboard in foreground
Scarlett Johansson gets ready to film a scene for "Jurassic World Rebirth." (Jasin Boland / Universal Pictures - © Universal Studios)

Nathan Myhrvold, a Seattle tech titan who also studies titanosaurs and other denizens of the dinosaur era, realizes that “Jurassic World Rebirth” is science fiction, not a documentary — nevertheless, he has a few bones to pick with the filmmakers.

“There are some lines that it would be silly to cross, but they did anyway,” says Myhrvold, who was Microsoft’s first chief technology officer back in the 1990s and is currently the CEO of Bellevue, Wash.-based Intellectual Ventures.

Paleontology is one of Myhrvold’s many interests, and he’s a co-author of more than a dozen peer-reviewed papers on the subject. He was inspired to get into dinosaur research almost 30 years ago, when he visited a “Jurassic Park” movie set at the invitation of director Steven Spielberg. That visit led to connections with leading paleontologists.

“At that point in my life, I was interested in dinosaurs, but I’d never been professionally or seriously, in a scientific sense, into dinosaurs,” Myhrvold recalls. “So, the movie was a little bit instrumental in me, just as a way of meeting a bunch of those people.”

On the latest episode of the Fiction Science podcast, Myhrvold and University of Maryland paleontologist Thomas Holtz discuss how much scientists — and filmmakers — have learned about dinosaurs over the past three decades. And they also critique “Jurassic World Rebirth,” the latest offering in a multibillion-dollar movie franchise that was born back in 1993.

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