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Cosmic Books

‘Star Trek: Lower Decks’ doubles up on Hugo Awards

Triptych featuring Timothee Chalamet in "Dune, Part Two," a Hugo Award trophy and characters from "Star Trek: Lower Decks"
"Dune: Part Two" (starring Timothee Chalamet, at left) and "Star Trek: Lower Decks" were among Hugo Award winners at Seattle Worldcon 2025. (Credits: Legendary Pictures / Warner Bros. for "Dune: Part Two"; Alan Boyle for Hugo Award photo; CBS Studios for "Star Trek: Lower Decks")

“Star Trek: Lower Decks,” the animated Trek spinoff that focuses on Starfleet’s lower ranks, scored a double win tonight when this year’s Hugo Awards were handed out at the world’s premier convention for science-fiction authors and fans.

One of the episodes of the Paramount+ streaming series, titled “The New Next Generation,” won the Hugo for best short-form dramatic presentation at Seattle Worldcon 2025. And a choose-your-adventure graphic novel — titled “Star Trek: Lower Decks – Warp Your Own Way” — took the prize for best graphic story or comic.

Series creator Mike McMahan accepted the award for the video episode in a video clip that was aired during the ceremony.

“I love being recognized by a community who have recommended so many good and weird books to me over the years,” he said. “I congratulate all the winners, but also all of those who support and work and represent, because it’s also in that direction that advancement and liberty and democracy will proceed.”

The writer for the graphic novel, Ryan North, thanked McMahan in turn for letting the team do a choose-your-adventure book. “Weird books are great,” North said. “That’s what I love about reading. The weirder the better.”

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Fiction Science Club

Fiction outweighs fact in ‘Jurassic World’ dinosaur tale

Scarlett Johansson with film clapperboard in foreground
Scarlett Johansson gets ready to film a scene for "Jurassic World Rebirth." (Jasin Boland / Universal Pictures - © Universal Studios)

Nathan Myhrvold, a Seattle tech titan who also studies titanosaurs and other denizens of the dinosaur era, realizes that “Jurassic World Rebirth” is science fiction, not a documentary — nevertheless, he has a few bones to pick with the filmmakers.

“There are some lines that it would be silly to cross, but they did anyway,” says Myhrvold, who was Microsoft’s first chief technology officer back in the 1990s and is currently the CEO of Bellevue, Wash.-based Intellectual Ventures.

Paleontology is one of Myhrvold’s many interests, and he’s a co-author of more than a dozen peer-reviewed papers on the subject. He was inspired to get into dinosaur research almost 30 years ago, when he visited a “Jurassic Park” movie set at the invitation of director Steven Spielberg. That visit led to connections with leading paleontologists.

“At that point in my life, I was interested in dinosaurs, but I’d never been professionally or seriously, in a scientific sense, into dinosaurs,” Myhrvold recalls. “So, the movie was a little bit instrumental in me, just as a way of meeting a bunch of those people.”

On the latest episode of the Fiction Science podcast, Myhrvold and University of Maryland paleontologist Thomas Holtz discuss how much scientists — and filmmakers — have learned about dinosaurs over the past three decades. And they also critique “Jurassic World Rebirth,” the latest offering in a multibillion-dollar movie franchise that was born back in 1993.

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Fiction Science Club

How humans can reinvent themselves for life in space

Robert Pattinson in a double role on an icy planet in "Mickey 17"
Robert Pattinson plays two "expendable" space travelers in "Mickey 17." ( Copyright: © 2024 Warner Bros. Entertainment Inc.)

Let’s face it: Space is a hostile environment for humans. Even on Mars, settlers might have a hard time coping with potentially lethal levels of radiation, scarce resources and reduced gravity.

In “Mickey 17” — a new sci-fi movie from Bong Joon Ho, the South Korean filmmaker who made his mark with “Parasite” — an expendable space traveler named Mickey (Robert Pattinson) is exposed over and over again to deadly risks. And every time he’s killed, the lab’s 3D printer just churns out another copy of Mickey.

“He’s dying to save mankind,” the movie’s poster proclaims.

While it’s possibly to create 3D-printed body parts for implantation, the idea of printing out a complete human body and restoring its backed-up memories is pure science fiction. Nevertheless, Christopher Mason, a Cornell University biomedical researcher who studies space-related health issues, is intrigued by the movie’s premise.

“If you could 3D print a body and perfectly reconstruct it, you could, in theory, learn a lot about a body that’s put in a more dangerous situation,” he says in the latest episode of the Fiction Science podcast. “I think the concept of the movie is actually quite interesting.”

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Fiction Science Club

Movie points to the past and future of moon marketing

Scarlett Johansson and Channing Tatum on "Fly Me to the Moon" poster
Scarlett Johansson and Channing Tatum star in "Fly Me to the Moon." (Apple Original Films / Columbia Pictures)

In a new movie titled “Fly Me to the Moon,” a marketing consultant played by Scarlett Johansson uses Tang breakfast drink, Crest toothpaste and Omega watches to give a publicity boost to NASA’s Apollo moon program.

The marketing consultant may be totally fictional. And don’t get me started on the fake moon landing that’s part of the screwball comedy’s plot. But the fact that the makers of Tang, Crest and Omega allied themselves with NASA’s brand in the 1960s is totally real.

More than 50 years later, those companies are still benefiting from the NASA connection, says Richard Jurek, a marketing and public relations executive in the Chicago area who’s one of the authors of “Marketing the Moon: The Selling of the Apollo Lunar Program.”

In the latest episode of the Fiction Science podcast, Jurek says Tang sold poorly when it was introduced in the late 1950s. “But once it was announced that it was being used in the space program and marketed that way, it became a huge bestseller for them, and in fact, still sells more overseas — and is a multibillion-dollar brand today,” he says.

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Fiction Science Club

How rowing has changed since ‘The Boys in the Boat’

Scene from "The Boys in the Boat" showing rowers in racing shell
"The Boys in the Boats" recounts the saga of the University of Washington's rowing crew in 1936. (Image Copyright © Metro-Goldwyn-Mayer)

Thanks to tectonic shifts in technology and training, Olympic-level rowing has come a long way since the University of Washington’s eight-man crew pulled off the ultimate underdog win at the 1936 Olympics in Nazi Germany — the achievement celebrated in the brand-new movie adaptation of “The Boys in the Boat.”

On paper, the performance of the rowers at the center of the movie — and at the center of the bestselling book on which the movie is based — pales in comparison with current Olympic and world records. Today, the world’s fastest time for a 2,000-meter course is just under 5 minutes and 20 seconds, which is more than a minute faster than the time that won the gold medal for the Boys in the Boat in Berlin.

One of the big reasons for that speedup can be found at Everett, Wash.-based Pocock Racing Shells. The company’s founder, George Pocock, built the Husky Clipper — the boat in which the Boys won their Olympic gold. In the movie, Pocock (as portrayed by Peter Guinness) plays a role similar to Yoda in the Star Wars saga, performing wizardry with wood and dispensing wisdom at just the right moment.

Today, wood just doesn’t cut it for championship-level racing shells. “The boats have no wood,” says John Tytus, the current president of Pocock Racing Shells. “These boats are all built out of advanced composites, mainly carbon fiber — which, for its weight, is the strongest material available.”

Lightweight materials are just part of the equation. Hydrodynamics and computer modeling have helped Tytus and other boatbuilders tweak their designs to an extent that would impress even George Pocock.

Science has also transformed how today’s rowing men and women are being trained to outperform the Boys in the Boat. “As stark as the difference between wood and carbon fiber might be, the training volume that the crews do now, compared to what the Boys did in ’36 — that’s actually a bigger quantum leap,” Tytus says.

In the latest episode of the Fiction Science podcast, Tytus explains how innovations have taken athletic performance far beyond what moviegoers see when they watch “The Boys in the Boat.”

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GeekWire

AI-savvy writers do a reality check on techno-optimism

Ted Chiang at GeekWire Summit
Science-fiction writer Ted Chiang speaks at the 2023 GeekWire Summit in Seattle. (GeekWire Photo / Kevin Lisota)

How will “The Techno-Optimist Manifesto,” venture capitalist Marc Andreessen’s paean to economic growth and artificial intelligence, play to a wider audience? The reviews are in from two award-winning writers who are familiar with the impact of generative AI on creative professions.

“I think it’s mostly nonsense,” science-fiction writer Ted Chiang said Oct. 19 at the GeekWire Summit in Seattle.

Chiang, a longtime Seattle-area resident, is best-known as the author of “Story of Your Life,” the novella that was adapted for the Oscar-nominated 2016 movie “Arrival.” But he’s also won acclaim as a commentator on AI’s effects for The New Yorker and other publications. Last month, Time magazine included Chiang among the 100 most influential people in AI.

The other writer on the SIFF Cinema stage was Eric Heisserer, the screenwriter who turned Chiang’s story into the script for “Arrival.” Heisserer witnessed the debate over generative AI and the future of work up close as a member of the negotiating committee for the Writers Guild of America during its recent strike against Hollywood studios.

Both Chiang and Heisserer say AI is too often unjustly portrayed as a high-tech panacea. That claim came through loud and clear in Andreessen’s manifesto, which called AI a “universal problem solver.”

“Technology can solve certain problems, but I think the biggest problems that we face are not problems that have technological solutions,” Chiang said in response. “Climate change probably does not have a technological solution. Wealth inequality does not have a technological solution. Most of these are problems of political will. … And so Marc Andreessen’s manifesto is a prime example of ignoring all of these other realities.”

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Fiction Science Club

‘The Creator’: Get a reality check on AI at the movies

Madeleine Yuna Voyles as an android in "The Creator"
Madeleine Yuna Voyles plays a childlike android with strange powers in "The Creator." (© 2023 20th Century Studios)

Over the next 50 years, will humanity become too attached to the artificial-intelligence agents that dictate the course of our lives? Or is forming a deep attachment the only way we’ll survive?

Those are the sorts of questions raised by “The Creator,” Hollywood’s latest take on the potential for a robo-apocalypse. It’s a subject that has inspired a string of Terminator and Matrix movies as well as real-world warnings from the likes of Elon Musk and the late Stephen Hawking.

How close does “The Creator” come to the truth about AI’s promise and peril? We conducted a reality check with a panel of critics who are familiar with AI research and the ways in which that research percolates into popular culture. Their musings are the stuff of the latest episode of the Fiction Science podcast.

Semi-spoiler alert: We’ve tried to avoid giving away any major plot points, but if you’re obsessive about spoilers, turn away now — and come back after you’ve seen “The Creator.”

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Fiction Science Club

Today’s archaeologists make Indiana Jones look ancient

Harrison Ford with whip in "Indiana Jones and the Dial of Destiny"
Indiana Jones (played by Harrison Ford) wields his trademark whip in "Indiana Jones and the Dial of Destiny." (© 2022 Lucasfilm Ltd. & TM)

As the world’s best-known fictional archaeologist goes after what may be his last ancient mystery in “Indiana Jones and the Dial of Destiny,” new generations of real-life archaeologists are ready to dig in with 21st-century technologies and sensibilities.

Harrison Ford, the 80-year-old actor who’s played Indiana Jones for 42 years, has said “Dial of Destiny” will be his last sequel in the series. And this one is a doozy: The dial-like gizmo that gives the movie its name is the Antikythera Mechanism, a real-life device that ancient Greeks used to predict eclipses and other astronomical events. The Lance of Longinus, the Tomb of Archimedes and the Ear of Dionysius figure in the plot as well.

Indy and his mysteries will be missed. Sara Gonzalez, a curator of archaeology at Seattle’s Burke Museum of Natural History and Culture, says her favorite movie about her own field is “Raiders of the Lost Ark,” the 1981 film in which Indiana Jones (played by Harrison Ford) made his debut. But that’s not because it’s true to life.

Gonzalez said researchers from the University of Washington’s Department of Anthropology, where she’s an associate professor, recently took a field trip to a local cinema where “Raiders” was playing.

“They have something called HeckleVision, where you can text onto the screen and see it,” she said. “There was this great, fun discussion, happening virtually live, with a whole bunch of anthropologists sitting and watching a movie that we love to deride. But we still kind of love the story and the angle, and we also love educating people about what’s real and what’s fictional about archaeology.”

That’s the subject of the latest episode of the Fiction Science podcast, focusing on the intersection of science and fiction.

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Fiction Science Club

‘Men in Black’ saga turns into a cause for celebration

People walking by Maury Island UFO mural in Des Moines, Wash.
The 1947 Maury Island UFO incident is commemorated in a mural on display in Des Moines, Wash. (Explore Seattle Southside Photo)

Even the Men in Black need their day in the sun. And they’re getting it this week, in the place where those classic characters in UFO tales made their debut.

Roswell may be the nation’s best-known UFO capital — but you can make a good argument that the Seattle area served the true birthplace of the Men in Black and helped inspire shows including  “The X-Files,” “Project Blue Book” and yes, “Men in Black.”

Steve Edmiston — a lawyer, film writer and producer who’s one of the organizers of the Men in Black Birthday Bash — can make an especially good argument.

“It’s like almost the original X-File, if you think about it,” he says in the latest episode of the Fiction Science podcast.

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Fiction Science Club

Get a reality check on supersized quantum mania

Multiple Ant-Men in scene from "Ant-Man and the Wasp: Quantumania"
Ant-Man (Paul Rudd) faces proliferating quantum timelines in "Ant-Man and the Wasp: Quantumania." (Marvel Studios via Cedric Dumler / IMDB)

Ant-Man may be getting small in Marvel’s latest superhero movie — but in the real world, quantum is getting big.

Quantum information science is one of the top tech priorities for the White House, right up there with artificial intelligence. Microsoft, Google, Amazon, IBM and other tech heavyweights are closing in on the development of honest-to-goodness quantum processors. A company called IonQ has a billion-dollar plan to build quantum computers in the Pacific Northwest. The market for quantum computing is projected to hit $125 billion by 2030.

So you might think “Ant-Man and the Wasp: Quantumania” will be going all-out to feature real-life advances in quantum physics.

If that’s what you’re expecting from the movie, think again. “There’s no connection to real physics, or our understanding of reality,” says Chris Ferrie, a quantum physicist at the University of Technology Sydney and the UTS Center for Quantum Software and Information.

Ferrie should know, and not just because he has a Ph.D.: His latest book, titled “Quantum Bullsh*t,” colorfully catalogs all the ways in which popular depictions of quantum physics go wrong. In the latest episode of the Fiction Science podcast, Ferrie explains why those depictions tend to focus on the B.S. rather than the theory’s brilliance.

“The reality .. that quantum physics is a tool for engineers to make predictions about their experiments … is really boring,” he says.

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