How will “The Techno-Optimist Manifesto,” venture capitalist Marc Andreessen’s paean to economic growth and artificial intelligence, play to a wider audience? The reviews are in from two award-winning writers who are familiar with the impact of generative AI on creative professions.
Chiang, a longtime Seattle-area resident, is best-known as the author of “Story of Your Life,” the novella that was adapted for the Oscar-nominated 2016 movie “Arrival.” But he’s also won acclaim as a commentator on AI’s effects for The New Yorker and other publications. Last month, Time magazine included Chiang among the 100 most influential people in AI.
The other writer on the SIFF Cinema stage was Eric Heisserer, the screenwriter who turned Chiang’s story into the script for “Arrival.” Heisserer witnessed the debate over generative AI and the future of work up close as a member of the negotiating committee for the Writers Guild of America during its recent strike against Hollywood studios.
Both Chiang and Heisserer say AI is too often unjustly portrayed as a high-tech panacea. That claim came through loud and clear in Andreessen’s manifesto, which called AI a “universal problem solver.”
“Technology can solve certain problems, but I think the biggest problems that we face are not problems that have technological solutions,” Chiang said in response. “Climate change probably does not have a technological solution. Wealth inequality does not have a technological solution. Most of these are problems of political will. … And so Marc Andreessen’s manifesto is a prime example of ignoring all of these other realities.”